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CD Review: ‘O magnum mysterium’ – Stairwell Carollers, Pierre Massie

CD7cover‘O Magnum Mysterium’ – Stairwell Carollers, directed by Pierre Massie.

Available from www.stairwellcarollers.com

Review by Mark Hewitt

The Stairwell Carollers’ new disc ‘O Magnum Mysterium’ is the choir’s eighth album and is a very generously filled disc, nearly running to 80 minutes of unaccompanied choral Christmas music. This Canadian choir, based in Ottawa, was founded in 1977 by their musical director, Pierre Massie. The choir has significant philanthropic credentials, having raised substantial funds for local scholarships and charities.

The choir’s musical credentials are no less impressive: they demonstrate secure intonation, clarity of diction, a warm tone and a rhythmic incisiveness. Pierre Massie draws some fine singing and a secure sense of ensemble from his choir. Even the most familiar carols are performed as if newly-minted.

As well as founding and directing the Stairwell Carollers, Pierre Massie is also a composer and arranger. His compositions and arrangements are tailor-made for the choir and demonstrate a keen ear for choral texture, sample, for example, the playful scat-style singing in ‘Nouvelle Agreable’, the delightful bell chimes in ‘Venez divin Messie’ or ‘What Child Is This?’ with its ear-catching combination of drones and ‘Greensleeves’-like melody. The disc’s title ‘O Magnum Mysterium’ refers to Massie’s composition of the same name and is an impassioned contemplation on the mystery of Christ’s birth and rings out with joyful ‘Alleluias’ at the work’s climax.

Amongst the British works on the disc, Herbert Howell’s ‘Here is the little door’ is given here a radiant and deeply expressive performance. The expansive tempo is highly successful in elevating this modest piece into something rich and resplendent. John Rutter’s ‘Dormi Jesu’ is sung with great sensitivity and tenderness.

Amongst the more familiar pieces is some less familiar fare, such as Peter Wishart’s ‘Alleluja, a new work is come on hand’. It is a measure of the choir’s technical prowess that they can successfully navigate the difficulties of this piece with great precision, clarity and flair. Another less-familiar work is John Tavener’s ‘Village Wedding’. Tavener sets fragments of a poem by Sikilanos and Isaiah’s dance from the orthodox wedding service, making a feature of contrasting passages of homophony with folk-like heterophony and is touchingly performed by the choir.

The whole disc is a cornucopia of musical delights, both familiar and unfamiliar and such is the variety of the programming and the creativity of interpretation and execution that the disc is a real listening pleasure from beginning to end. A resounding success!

Ave Maria (AATTBB, unaccompanied) (2015)

The original unaccompanied SATB version was composed March 27th-April 1st 2015, this version was composed 9th October 2015 and contains some additions to the original.

Dedicated to Jane Champion.

Duration: c. 2′ 45″

Text: The Angelic Salutation (in Latin)

Programme note by the composer:

In this setting of the Ave Maria I have opted for a simple, yet mildly dissonant harmonic style. The general dynamic is very quiet apart from the climax ‘ora pro nobis’ (‘pray for us sinners’), which is a dissonant and impassioned plea to the Mother of God.

Mark Hewitt, April 2015

Score format = A4

File type = pdf file

No. of pages = 10


Licence to print up to 20 copies £18.00 


Licence to print up to 21 + copies £25.00

The-Ghent-Altarpiece--Virgin-Mary-(detail)-1426-29

 

Ave Maria (SSAA, unaccompanied) (2015)

Composed March 27th-April 1st 2015. Dedicated to Jane Champion.

Duration: c. 2′ 30″

Text: The Angelic Salutation (in Latin) 

Programme note by the composer:

In this setting of the Ave Maria I have opted for a simple, yet mildly dissonant harmonic style. The general dynamic is very quiet apart from the climax ‘ora pro nobis’ (‘pray for us sinners’), which is a dissonant and impassioned plea to the Mother of God.

Mark Hewitt, April 2015

Score format = A4

File type = pdf file

No. of pages = 5


Licence to print up to 20 copies £18.00 


Licence to print up to 21 + copies £25.00

 The-Ghent-Altarpiece--Virgin-Mary-(detail)-1426-29

Ave Maria (SATB, organ) (2015)

 Composed March 27th-April 1st 2015. Dedicated to Jane Champion.

Duration: c. 2′ 30″

Programme note by the composer:

In this setting of the Ave Maria I have opted for a simple, yet mildly dissonant harmonic style. The general dynamic is very quiet apart from the climax ‘ora pro nobis’ (‘pray for us sinners’), which is a dissonant and impassioned plea to the Mother of God.

Mark Hewitt, April 2015

Published by firehead-logo

 The-Ghent-Altarpiece--Virgin-Mary-(detail)-1426-29

Away in a Manger (SATB divisi, unaccompanied) (2014)

Composed November 2014.

Dedicated to Lisa Piper. Written for Nigel Edwards and the Parnham Voices.

Duration: c. 3′

Text: Anon., ca. 1883, Philadelphia

Music: melody J. Kirkpatrick, 1838-1921;

arranged by Mark Hewitt 2014

Programme note by the composer:

I have to confess I have taken some liberties with this iconic Christmas melody.

I hope my setting still captures some of the innocence and quietude of the original.

In contrast, the third verse becomes a more elaborate, polyphonic texture.

Score format = A4

File type = pdf file

No. of pages = 8


Licence to print up to 20 copies £18.00 


Licence to print up to 21 + copies £25.00

Fandango (Soler, arr. Hewitt)

Soler Fandango

picc., ob., cl., bsn., tpt., perc. (1 player), vln I, vln II, vla, vc, db.

To Nigel Evans.

Duration: c.

A re-casting of Antonio Soler’s (1729-1783) ‘Fandango’. Originally written for harpsichord, this arrangement is an effectionate re-casting of the piece which highlights the humour of the piece as well as bringing to the fore its Spanish flavour.